{"id":15,"date":"2026-10-21T13:31:32","date_gmt":"2026-10-21T11:31:32","guid":{"rendered":"https:\/\/neu.benibrachtel.com\/projekte\/col002-defragmentation\/"},"modified":"2026-10-23T20:09:26","modified_gmt":"2026-10-23T18:09:26","slug":"col002-defragmentation","status":"publish","type":"projekt","link":"https:\/\/neu.benibrachtel.com\/?projekt=col002-defragmentation","title":{"rendered":"COL002 \u2013 Defragmentation"},"content":{"rendered":"<p><strong>COL002 &#8211; Defragmentation LP<\/strong><\/p>\n<p>In file systems, defragmentation refers to reorganising scattered fragments into contiguous regions, reducing disorder and creating a smoother flow. This 12\u201d vinyl adopts that concept, presenting a unified soundscape built from the 24 commissioned works of Fragments of Sonic Extinction* (FOSE), spanning its first three editions from 2022 to 2024. Edited by FOSE founder Kalas Liebfried and long-time collaborator Beni Brachtel, this release envisions all contributions as interconnected fragments within a defragmented sonic terrain.<br \/>\nThese fragments form layers of a sprawling auditory landscape, or perhaps uncover tectonic movements beneath it. Some overlap and harmonise; others stand alone. The interplay between focus and abstraction creates an evolving image \u2013 sharp at times, blurred at others. This vinyl explores not only the overlaps but also the negative spaces: the silences, tensions, and potentialities that lie between and beyond.<br \/>\nRather than summarising the first three editions of FOSE, the vinyl crafts a \u201cthird space\u201d \u2013 an untethered, non-temporal realm where the ecological and social themes explored by FOSE xpand in new directions. Each side of the record offers a variation on this journey, mapping different pathways through the landscape.<br \/>\nThe vinyl itself, with its flat, circular form, mirrors the physicality of a plate or terrain. It becomes a carrier for an experience that is as tactile as it is auditory, inviting listeners to traverse a surface imbued with three years of collaboration and experimentation.<br \/>\nThis record invites listeners to reflect on the commons\u2014collaborative efforts that bring together diverse voices and perspectives\u2014and their potential to address the ecological and social challenges we face. It offers an expansive, non-linear mode of observation, one that encourages not only listening but imagining new possibilities.<\/p>\n<p><a href=\"https:\/\/collisionscc.bandcamp.com\/\">Buy here<\/a><\/p>\n<p>Accompanying the vinyl is a text by Salom\u00e9 Voegelin, printed on an A2 poster and included in this publication. This detachable piece is designed to be displayed in your environment, extending the landscape beyond the auditory. A QR code on the poster allows you to listen to the author\u2019s voice, adding another layer to this defragmented exploration.<br \/>\nTogether, the vinyl and text form an artefact of FOSE\u2019s evolving inquiry: an invitation to engage with the ongoing processes of extinction through the auditory experience of interconnected eco-social realities.<\/p>\n<ul>\n<li>Fragments of Sonic Extinction (FOSE) is an ongoing project exploring extinction in the Anthropocene through the disappearance of natural sounds due to climate change and biodiversity loss. Founded in 2022 by Kalas Liebfried as an interactive website (www.sonicextinction.net), FOSE shifts the focus to ephemeral extinction and the complex, rapid transformations within the sonic spheres of our world. Employing interpretation, immersion and interaction as central characteristics, the project presents annually commissioned contributions by artists dedicated to the perilous or extinct nature of specific species and attempts to negotiate their sonic perspectives, environments and omni-directional cultural histories.<\/li>\n<\/ul>\n<p>Above all, the intention is to present explicitly free, artistic sound works and compositions that are rooted in diverse geo-political and conceptual models and production techniques. The goal of this project is to create valuable impulses for the emergence of ecological awareness through the use of immersion in and sensitivity to sonic perspectives, which pay close attention to the catastrophes taking place in biospheres which have been effectively silenced as myriad species and their habitats are rendered extinct. So far FOSE commissioned 24 sound pieces by international artists within three editions, encouraging the presentation and production of sustainable cultural artefacts, conducive to future interactions.<\/p>\n<p>Besides the digital platform, the commissions have been presented in the forms of a festival, concerts, exhibitions, radio shows, lectures and listening sessions.<br \/>\nFOSE sustainably grows as a speculative encyclopaedia and archive, which maps the history, course and sound of extinction. Our purpose with each curated edition is to build an inclusive global network of interdisciplinary artists and researchers, providing an accessible and interactive archive of aesthetical knowledge and resources.  <\/p>\n<p>Kalas Liebfried (Ed.), Beni Brachtel (Ed.)<\/p>\n<p>Contributors:<br \/>\nAlo\u00efs Yang<br \/>\nJay Glass Dubs<br \/>\nAlexander Liebermann<br \/>\nMitchell Akiyama<br \/>\nHeloise Tunstall-Behrens &amp; Auclair<br \/>\nDAWN PHASE<br \/>\nWild Terrier Orchestra feat. The Witches of Westend<br \/>\nTomer Baruch<br \/>\nAlba Vega Mulet<br \/>\nLaura M. Ramsey<br \/>\nMichael Akstaller<br \/>\nDUMA<br \/>\nKalas Liebfried feat. Rozenn le Trionnaire<br \/>\nWhite Boy Scream<br \/>\nMishka Henner<br \/>\nLea Bertucci<br \/>\nKatatonic Silentio<br \/>\nPedro Oliveira<br \/>\nJol Thoms<br \/>\nDavid Goldberg<br \/>\nNursalim Yadi Anugerah<br \/>\nBeni Brachtel<br \/>\nLia Mazzari<\/p>\n<p>Editors: Kalas Liebfried &amp; Beni Brachtel<br \/>\nMixing and Mastering: Beni Brachtel<br \/>\nEssay: Salom\u00e9 Voegelin<br \/>\nCover Artwork &amp; Graphic Design: Alexander Scharf<br \/>\nTechnical Implementation (website): Maximilian Rauh<br \/>\nSupported by The Steiner Foundation Munich<br \/>\nPressed by Duophonic, Augsburg<\/p>\n","protected":false},"featured_media":16,"menu_order":1,"template":"","bereich":[4],"class_list":["post-15","projekt","type-projekt","status-publish","has-post-thumbnail","hentry","bereich-releases"],"_links":{"self":[{"href":"https:\/\/neu.benibrachtel.com\/index.php?rest_route=\/wp\/v2\/projekt\/15","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/neu.benibrachtel.com\/index.php?rest_route=\/wp\/v2\/projekt"}],"about":[{"href":"https:\/\/neu.benibrachtel.com\/index.php?rest_route=\/wp\/v2\/types\/projekt"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/neu.benibrachtel.com\/index.php?rest_route=\/wp\/v2\/media\/16"}],"wp:attachment":[{"href":"https:\/\/neu.benibrachtel.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=15"}],"wp:term":[{"taxonomy":"bereich","embeddable":true,"href":"https:\/\/neu.benibrachtel.com\/index.php?rest_route=%2Fwp%2Fv2%2Fbereich&post=15"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}